The 25 best K-pop songs of 2022

As K-pop continues to expand its reach around the globe, its acts are producing more music than ever. From electric guitars and ’80s synths to trap bangers and R&B crooning, there’s something for everyone in 2022’s best K-pop releases.

But that’s the joy of K-pop: Whether you’re a casual listener or a multi with 12 biases, you’ll never be bored. There will always be new music to listen to. And this year, K-pop acts experimented with trends (the pop-punk revival is alive and well in K-pop) and leaped out of their comfort zones, while fourth-gen groups asserted their dominance on the charts and industry titans BTS gave us a sentimental “see you later.” With so much going on, it can be hard to know where to start. Never fear — we’ve got you covered.

In no particular order, here are some of the best K-pop songs of the year. And because sometimes you have to listen to more than just the single to get to the truly transcendent stuff, this list contains both singles and B-sides.

1. “Charmer,” Stray Kids

Though “MANIAC” was the lead single on Stray Kids’ chart-topping March EP ODDINARY, B-side “Charmer” thoroughly enchanted fans with its self-assured lyrics and hypnotic pungi refrain. Evoking the sound of wind instruments popularly associated with snake charming, it’s an alluring song that uses a repeated falling scale and come hither whistle to effectively lead listeners down into a Stray Kids obsession.

“Charmer” is a creative, enticing new sound from a group that is constantly exploring and playing with audio, while still remaining unmistakably Stray Kids. This song is a fan favorite for good reason, and charming enough to beguile listeners into hitting replay.

A special shout-out also goes to Stray Kids’ “Muddy Water,” which is an excellent ’90s hip-hop track that deserved more attention than it got. —Amanda Yeo

2. “Dirt on my leather,” WOODZ 

I’m a little tired of writing only nice things about WOODZ, but it’s the only kind of praise his work merits. The guy never misses. COLORFUL TRAUMA, his fourth EP in two years, is as brilliant as the three that preceded it. He taps into the rock and pop-punk resurgence we’ve seen growing in the industry with ’80s hair metal flourishes but avoids sounding cheesy or contrived by completely committing to the bit.

On “Dirt on my leather” he wails “I’m ready to die!” over talkative rock guitars and drums with such convincing fervor that I actually believe him. When he asks “Why you gonna be so sad? Rub some dirt on it,” I’m wiping away my tears and searching for the nearest patch of earth. —Elizabeth de Luna

3. “Thursday’s Child Has Far To Go,” TOMORROW X TOGETHER 

The easiest way to describe “Thursday’s Child Has Far To Go” is that it sounds like freedom. Maybe it’s the sparkling ’80s synths or the upbeat melody, but it’s the kind of song that pushes you forward. It makes me want to drive somewhere, anywhere, windows down and stereo blaring. (I don’t have a driver’s license, so Lyft driver, please pass me the aux cord.) A unit song from Beomgyu, Taehyun, and Soobin on TOMORROW X TOGETHER’s most recent EP, Thursday’s Child, the addictive track is a burst of bright energy on an album full of emo breakup songs.

As such, “Thursday’s Child Has Far To Go” — co-produced by Beomgyu and featuring lyrics and toplining from Taehyun — reminds us that life goes on after heartbreak. “I’m looking forward to the wonderful days,” sings Soobin. Aren’t we all? —Crystal Bell

4. “BUT YOU,” iKON 

“BUT YOU” is the kind of song that reminds me why I love pop music, and its hold on me is visceral. I heard it for the first time while painting a wall in my apartment and froze — mid brushstroke, mouth agape — as its nostalgic synths and crisp drums gave way to the delicate softness of DK’s opening line: “I’m in love again.” Despite that hopeful start, and the song’s upbeat melody, “BUT YOU” is actually a melancholy lament over unrequited love. Like many of the best pop songs, it’s essentially about crying in the club.

iKON are a relative anomaly in Korean pop: an immensely popular 3rd generation hip-hop-influenced idol group still consistently making music that feels fun and fresh. The band has had to grow up hard and fast over the last three years: Leader and composer BI left the group in 2019 as a result of a national scandal. And rapper Bobby announced last year that he would be both married and a father in a matter of months, two life changes that are nearly unheard of in the notoriously rigid K-pop industry. After all that, it’s immensely satisfying to see iKON back in the spotlight with a nearly perfect pop track worthy of their immense talent and versatility. —EDL

5. “Thank You,” Brave Girls

Of all the songs on this list, Brave Girls’ “Thank You” has one of the best stories behind it. The four-member girl group was catapulted to fame in 2021 when a video compilation of them performing their 2017 song “Rollin'” went viral. Now they’ve issued a love letter to their fans in the form of funky retro disco bop “Thank You,” expressing gratitude for their support as well as joy at finally achieving success after years of work. It’s a delightfully happy song, and arguably even catchier than “Rollin’.”

“I never thought it would happen,” read the lyrics’ English translation. “So many days I cried in secret. I don’t know if I’d be here without you.” —AY 

6. “Ash,” SEVENTEEN

“Ash” makes me want to burn down everything in sight, then play in the smoldering ruins like a sandbox.

While the lyrics of its pre-chorus — “the handful that’s left from everything burning, ash. Let’s build a new ark and go out into the world” — might inspire visions of reinvention or a fresh start, SEVENTEEN is really just here to hype themselves up. “Do or die, I’m a player,” they brag. “I’m confident in this game, tens of thousands of chances. I’m just making choices.” The metallic ring of their voices, warped by Auto-Tune and filters, tinge them with an addictive, otherworldly quality. It’s an unusual but welcome choice for SEVENTEEN, who rarely dabble in this level of vocal manipulation. —EDL

7. “Blue Flame,” LE SSERAFIM

Newcomers LE SSERAFIM (an anagram for “I’m fearless”) came out swinging on their debut single “FEARLESS,” in which they not-so-humbly asserted themselves as K-pop’s newest queens of confidence. The plucky song prioritizes mood over melody, but B-side track “Blue Flame” proves that LE SSERAFIM are more than one note. Colorful vocal riffs and a groovy bassline make “Blue Flame” an easy listen — an intoxicating summer bop, if you will — and its charm has already captivated TikTok, where my FYP has been inundated with countless fan-made edits, fan cams, and videos of people dancing along to the song’s catchy choreography.

Surprisingly, this is the first of two entries on this list to include the lyric “will-o’ the-wisp.” Only a few months into their careers and LE SSERAFIM are already trendsetters! —CB

8. “LOVE DIVE,” IVE 

IVE debuted in December with earworm hit “ELEVEN,” sweetly confessing their excitement over a crush that “makes me dream a long dream” and “dance to the point where I’m dizzy.” On “LOVE DIVE,” they’ve willfully plunged into the intoxicating depths of feeling wanted. “Narcissistic, my god, I love it” they sing with pouty insolence while performing point choreography in which they pretend to check their appearance in a compact mirror. Even if you’re not impressed by that particularly inspired bit of genius, “LOVE DIVE’s” hypnotic production — its sleepy “oohs,” playful “la la las,” and a whispered bridge — should be intriguing enough to put you under IVE’s spell. —EDL

9. “Burning Up” (featuring R3HAB), MONSTA X 

My main question about “Burning Up” is: Why wasn’t this slick tune SHAPE of LOVE‘s title track? 

MONSTA X’s song about fiery attraction is just straight-up satisfying to listen to, an addictive beat excellently executed and served with polish. It isn’t necessarily unconventional or surprising, which may be one reason why “LOVE” was chosen as MONSTA X’s lead single instead. But “Burning Up” neither aims to nor needs to push boundaries. This jam knows what it is and is confident in expertly delivering a crowd-pleasing yet memorable rhythm, like a delicious chocolate cake from a hatted patisserie. “Burning Up” is unbothered, in its lane, focused, and flourishing. —AY 

10. “Blessed-Cursed,” ENHYPEN

When ENHYPEN debuted in 2020 with a vampiric concept, I expected Twilight-level drama. Instead, they’ve leveraged eternal life to explore the sound and styles of other eras in a clever twist on time travel.

On “Blessed-Cursed,” we find the band at the turn of the century, celebrating the new millennium with Y2K style. 2021’s Dimension: Dilemma album saw the group experimenting with rock and pop punk elements on “Blockbuster” and “Attention, please!” that are also successfully incorporated here. “Blessed-Cursed” delivers what past releases could not; it finally makes use of Niki’s outsized dance talent and Jay’s charming brashness (he is a Taurus, after all) to create unique points of sonic and visual interest. The production has also mellowed compared to past singles, adding fewer effects to the members’ voices so that their distinct colors are no longer flattened into uniformity.

“Blessed-Cursed” is not a perfect song — that would require a bridge, which is notably absent — but it does feel like a thrilling peek into what ENHYPEN is capable of. —EDL

11. “Illusion,” aespa 

No group is currently making pop music as potent as aespa. The fabulous foursome had a record-setting 2021, thanks to the seismic success of their single “Next Level,” and now they’re poised to continue their meteoric rise with their summer EP Girls, set for release on July 8. The album has already achieved one million stock pre-orders, making them the second Korean girl group after BLACKPINK to reach the milestone.

To mark the start of their new era, aespa dropped “Illusion,” an electronic pre-release track that builds on the group’s synth-pop calling and affinity for sticky, hypnotic hooks. To fully grasp the lyrics (“you’re so yummy yummy yummy / In my tummy tummy tummy” is how Winter opens the track) you will have to have some understanding of aespa’s sci-fi lore, or you could just vibe and let the girls lull you into submission. “Follow me, come and get illusion,” they sing. And who am I to not be entranced? —CB 

12. “Yet To Come,” BTS

The Bangtan Boys have become an international phenomenon, tearing up music charts around the world and making the name BTS almost synonymous with K-pop. In their sentimental single “Yet to Come,” released just this month, the group reflects on the burden that stratospheric popularity can be, while reaffirming their love of music and determination to continue moving forward.

It’s a final word to commentators, a promise to fans, and a very fitting tone. There is a non-zero possibility that this will be BTS’ last big release for a while, as the looming issue of South Korea’s mandatory military service may put a pause on their group activities in the near future. The members themselves recently announced a break to work on solo endeavors and personal growth.

“Yet to Come” is the wise, humbly victorious final song at the end of a film, in which its heroes acknowledge how much they’ve learned on their journey as they look hopefully toward the future. —AY

13. “CHIQUITA,” Rocket Punch

I’m a sucker for some good ’80s electronica, and Rocket Punch’s “CHIQUITA” delivers in spades. This synthtastic song hurls listeners straight into the retro vibes from the very beginning, delivering a bop that wouldn’t be out of place in an ’80s movie montage. 

The chorus’s melodic three-chord synth riff was already enough to win “CHIQUITA” a spot on my K-pop playlist. But Rocket Punch’s bright, neon-soaked groove keeps the mood going from verse to chorus to electronica bridge, not letting go of the theme for a moment. It makes me want to crimp my hair, throw on a denim jacket, and rollerblade to an arcade. —AY

14. “YOUNG LUV,” STAYC

Youth is the essence of K-pop. I’m not solely talking about age, but rather the feeling of being young. Young and in love. Young and dumb. Young and reckless. Young and afraid. Young and frustrated. Enter STAYC’s “YOUNG LUV,” a kaleidoscopic song that seamlessly captures all of those emotions and more. A B-side track off the rookie girl group’s EP YOUNG-LUV.COM, the song draws inspiration from early 2000s pop-rock hits from the likes of Kelly Clarkson and Avril Lavigne.

On “YOUNG LUV,” the girls belt out their stadium-sized feelings over an electric guitar line that sounds more wistful than wild. STAYC’s “teen fresh” image has captivated audiences globally since their 2020 debut, and “YOUNG LUV” doubles down on their youthfulness without ignoring the messier parts of coming of age. —CB

15. “To My First,” NCT Dream 

As a general rule, you don’t sleep on NCT Dream’s B-sides. Case in point: “To My First.” (Not to be confused with “My First And Last” or “Bye My First…”) If you are missing the lovesick R&B crooning of early 2000s boy bands, then “To My First” is here to wrap you in a cozy weighted blanket. A fantastic showcase for vocal trio Haechan, Renjun, and Chenle, the song packs an emotional wallop as the seven members of NCT Dream sing of a first love that’s run its course.

Perhaps in another decade, this boy band would have lamented their former flame in the pouring rain, masking their tears, but these Gen Z kids have it all figured out. “You know, sometimes in life,” Mark drawls with the confidence only a 22-year-old international superstar can muster, “things just ain’t meant to be.” That may be true when it comes to love. But NCT Dream has always been destined for greatness. —CB

16. “Nonstop,” RoaD-B

“Nonstop” is already a vibe from the outset, but it’s about 45 seconds in that you realize RoaD-B’s track is fairly unique in K-pop. This track subverts expectations in a delightfully unexpected way that I’ll never get sick of, and I need more people to know about it.

While “Nonstop” doesn’t necessarily have an obvious, standout hook that will immediately catch in your brain, it’s a clever, creative tune that’s great while you’re listening to it and leaves you craving more. In that regard, it’s a bit like the K-pop equivalent of fairy floss — and who doesn’t love fairy floss? Formerly known as BXK, RoaD-B is a relatively unknown group in comparison to some other names on this list. Fingers crossed they keep exploring this sound and building in this direction because there’s definite potential. —AY

17. “More,” J-Hope 

When J-Hope first released the teaser for “More,” and all fans could hear was a percussion beat followed by a split-second of the rapper sing-screaming “because I want some more,” everyone knew right then and there that the sunshine of Hope World was long gone. Released as a pre-single for his first official solo album, Jack in the Box, “More” was a cornucopia of different genres perfectly blended together to reveal a new side of BTS’ most versatile performer.

The song is a mesh of both rock and old school hip-hop, but J-Hope’s rap flow never misses a beat. Through “More,” he’s once again proven himself to be one of the most flexible rappers in K-Pop, with a voice so malleable that he pulls off fast rapping, mosh-pit screaming, and more subtle, almost teasing rapping in the intro. While Jack in the Box was a masterpiece in itself, “More” was the cherry on top of its perfectly curated sonic flow, cementing J-Hope as a solo force to be reckoned with. He’s the jack in the box, but he’s also more importantly a jack of all trades, shining bright as a true ace of K-pop. —Yasmeen Hamadeh

18. “JIKJIN,” Treasure

“JIKJIN” is just one of several noteworthy 2022 releases from Treasure, who effortlessly shapeshifted between this glossy gem, the mellow TikTok hit “Darari,” ebullient bash “Hello,” and metal and hard-rock banger “VolKno.” A romanization of the Korean word for “straight” — as in, straight to your heart, “JIKJIN” bubbles with the myopic intensity of an all-encompassing romance. “Go straight to you, I’m crazy in love,” Haruto raps, “Everyone else, get out of my way.” The chorus experiments with negative space and imitates the heightening pitches of speeding race cars as they whiz by. With an attraction this strong, it’s hard to know whether those cars are on a crash course to love or to heartbreak. —EDL

19. “Yeah Yeah Yeah,” BLACKPINK

There were many gems in BLACKPINK’s second studio album, Born Pink, but “Yeah Yeah Yeah” was a bright, bejeweled, bubbly beauty of a song. Co-written by Jisoo and Rosé, “Yeah Yeah Yeah” harks back to ’80s city pop, and is the perfect song to listen to on a night out about town, with its beat perfectly matching your every stride. As a young adult, it’s rare to find new songs that make me want to dance in my room like I’m seventeen again, but “Yeah Yeah Yeah” gave me just that and more. One listen will have you wanting to get up, jump, and dance around, all while the girl group’s vocals perfectly shine through. —YH

20. “Guerilla,” ATEEZ

In 2022, ATEEZ adopted the anarchist ethos of guerrillas, a clever evolution of the impish pirates they’ve embodied since 2019. Like war, “Guerilla” is explosive, chaotic, and caustic. And that’s the point — ATEEZ urges listeners to “keep it loud until еveryone opens thеir eyes… This is how we fight,” they say. Producing house Edenary incorporated primal screams and metal guitar riffs to help the group “wake up the world.” On tour, “Guerilla” was a sight to behold. In cities across the U.S., fans nearly blew roofs off arenas shouting the song’s outro “break that wall!” as ATEEZ danced under siren-red stage lights. —EDL

21. “All Day,” RM ft. Tablo

It was so hard choosing only one song off RM’s official solo album, Indigo. The album, which is more like a curated art exhibit, features numerous collaborations across eclectic genres, and “All Day” is one of its first paintings that grabs your attention. Apart from the fact it features Tablo, the leader of veteran hip-hop trio Epik High, “All Day” also does that remarkable thing with music where the lyrics are pretty depressing but the beat is insanely groovy.

Taking a jab at an increasingly trend-obsessed world, “All Day” questions how and why our society has come to rely on AI instead of artists, all while giving you a beat that makes you want to dance and sing along. I love sad songs disguised as happy anthems, and “All Day” is also arguably the turning point in Indigo’s sound. While the album starts off with classic hip-hop and funk, genres RM famously bodies, “All Day” is the beginning of a new sonic venture that perfectly introduces where the rest of Indigo flows – and RM’s place within it all as a constantly evolving, blooming artist much like the wildflowers he sings about. —YH

22. “BYE BYE,” Red Velvet

You know you’re in for a treat when Wendy opens a Red Velvet song with a bar. “I only had love for you,” the vocalist sneers on “BYE BYE,” a bitter cut from the group’s most recent EP, The ReVe Festival 2022 — Birthday. Here, the members of Red Velvet are women scorned who swear to never fall in love again. The track is both a bruising kiss-off to an ex-lover and to a past version of themselves that fell for those lies in the first place, delivered with a sweet, incisive “bye, babe.” The real highlight is the warbled interpolation of Beethoven’s “Für Elise,” which acts as a balm to the acidic burn of their broken hearts. —CB

23. “Change,” (G)I-DLE

(G)I-DLE scored two major hits this year with the bold, ballsy “Tomboy” and jazzy “Nxde.” Both of these songs employ leader and producer Soyeon’s deft ability to provoke and set fire to gendered expectations. On “Change,” however, they slow things down to ruminate on fame and vacuum of loneliness it creates. Co-written and composed by vocalist Minnie, “Change” is steeped in mellow melancholia. “Love and fame, it seems to be enough,” they sing over sparse production. “When the truth is not that beautiful.” It’s proof that these pop provocateurs are just as potent when they bare their vulnerabilities. —CB

24. “Lovin’ Me,” FIFTY FIFTY

When I first heard, “Lovin’ Me” I was transported back to 2012. Fresh out of college and high on dreams, my early 20s were punctuated by the euphoric house music of the era. Back when EDM ruled airwaves, the times (and the music) seemed so much simpler. “Lovin’ Me,” a pre-release off FIFTY FIFTY’s eponymous debut EP, evokes the EDM ebullience of the 2010s while adding a modern synth-pop twist. The synths sparkle and the vocoder effect tingles the spine, capturing the unbridled ecstasy of being young and alive on the dance floor. Sometimes, less is truly more. —CB

25. “Ditto,” NewJeans

Nobody saw NewJeans coming. And that was the entire strategy behind their debut. There was no buildup, no fanfare — just a single music video that appeared in late July. It didn’t take long for the quintet to skyrocket up the charts in South Korea and pique the interest of global fans of K-pop. Their music calls to mind the dreamy haze of Y2K R&B — it’s understated, yet eloquent. Their singles “Attention” and “Hybe Boy” undoubtedly soundtracked the latter half of the year, so it’s no surprise that their latest single “Ditto” is currently the no. 1 song across all of the Korean music charts.

The thing about “Ditto” is that it’s a winter song. It’s wistful and nostalgic, opening with haunting vocalizations that yearn. Yet, there’s a bounce to its groove, taking the fluttering ra-ta-ta-tas of Baltimore club music and adding to it their soft, ambient sheen. More than sentimental, the music of NewJeans creates an entire atmosphere — so vivid and warm, it envelops you in its tender embrace. —CB