At the New York Times, Ruth Ozeki speaks to Ezra Klein about her latest novel, The Book of Form and Emptiness, and how she used meditation practices to get into the mind of her characters. “Very often meditation is something that we think of as being done with the mind,” Ozeki explains. “And I actually experience it somewhat differently. I experience it as something that starts in the body and is really rooted in the body.And I think that’s true for writing too. That certainly when I’m writing fictional characters, one of the most important things is that I get out of my head and into the felt experience, the physical somatic experience of my characters. And I need to find interesting ways to do that, ways that will communicate in an authentic way that will evoke physical feelings, emotional feelings, rather than simply being clichés.”
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