Tuesday New Release Day: Starring Allende, Smith, Eisenberg, Cummins, Chayka, and More

Here’s a quick look at some notable books—new titles from the likes of Isabel Allende, Danez Smith, Emma Copley Eisenberg, Jeanine Cummins, Kyle Chayka, and more—that are publishing this week.

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A Long Petal of the Sea by Isabel Allende

Here’s what Publishers Weekly had to say about A Long Petal of the Sea: “Spanning from 1938 to 1994, this majestic novel from Allende (In the Midst of Winter) focuses on Victor Dalmau, a 23-year-old medical student fighting in the Spanish Civil War on the Republican side when the novel opens. After Nationalist forces prevail, Victor and thousands of other Republican sympathizers flee Spain to avoid brutal reprisals. In France, he searches the packed refugee camps for Roser Bruguera, who is pregnant with his brother Guillem’s child. Once he finds Roser, he breaks the news that Guillem has died in battle and that he has won a place on the Winnipeg, a ship that the Chilean poet Pablo Neruda has organized to transport Spanish refugees from Europe, where WWII is breaking out, to safety in Chile. Allowed to bring only family with him, Victor persuades Roser to marry him in name only. Though Victor has a brief, secret affair with well-off Ofelia del Solar, he begins to fall in love with Roser; they raise Roser’s son, Marcel, together and build stable lives, he as a cardiologist and she as a widely respected musician. But when the Pinochet dictatorship unseats Chile’s Marxist president in 1973, they find themselves once more endangered by their political views. Allende’s assured prose vividly evokes her fictional characters, historical figures like Neruda, and decades of complex international history; her imagery makes the suffering of war and displacement palpable yet also does justice to human strength, hope and rebirth. Seamlessly juxtaposing exile with homecoming, otherness with belonging, and tyranny with freedom, the novel feels both timeless and perfectly timed for today.”

Homie by Danez Smith

Here’s what Publishers Weekly had to say about Homie: “Smith (Don’t Call Us Dead) presents an electrifying, unabashedly queer ode to friendship and community in their exuberant and mournful second collection. Smith alternates colloquial and lofty language, often within the same poem, and eschews most punctuation and grammatical strictures. In ‘ode to gold teeth,’ the poet writes of their grandfather, ‘gold gate of grandpa’s holler/ midas touch his blue hum/ honeymetal perfuming prayers,’ later referring to him as the ‘OG of the gin sermon & front-porch pulpit.’ These poems are a celebration of black culture and experience, and a condemnation of white supremacy and its effect; in ‘dogs!,’ Smith excoriates racist dehumanization: ‘i too been called boy & expected/ to come, heel.’ In ‘sometimes i wish i felt the side effects,’ Smith explores conflicting feelings related to an HIV diagnosis—simultaneous devastation and relief (‘it felt like i got it out the way, to finally know it’), acceptance, and shame (‘i braved the stupidest ocean. a man. i waded in his stupid waters’). The collection’s final poem, ‘acknowledgments,’ is a beautiful love poem to a best friend, one that is as heartfelt as it is quotable: ‘if luck calls your name, we split the pot/ & if you wither, surely i rot.’ Smith is a visionary polyglot with a fearless voice.”

The Third Rainbow Girl by Emma Copley Eisenberg

cover Here’s what Publishers Weekly had to say about The Third Rainbow Girl: “In June 1980, 26-year-old Vicki Durian and 19-year-old Nancy Santomero were hitchhiking through rural West Virginia, heading to a festival called the Rainbow Gathering. They never made it. The story of their shooting murders, and the hunt for the killer, consumed the citizens of Pocahontas County for decades, as journalist Eisenberg reveals in this gripping account, her first book. She spent five years researching the crime and blends the case facts with a memoir of her time living in the area, playing bluegrass and drinking bourbon with men who were connected to the Rainbow Gathering. Part self-discovery and part crime and courtroom drama, the narrative follows two possible theories. Jacob Beard, a local farmer, was arrested 13 years after Durian and Santomero’s deaths and was convicted of their murders, though witness statements were shaky and there was no physical evidence. But as Eisenberg notes, white supremacist Joseph Paul Franklin, a convicted serial killer, made a jailhouse confession before Beard’s 1993 trial that he killed the young women, but the prosecutors dismissed it. The author herself thinks it was bogus. Not until 2000 did Beard get a second trial, at which he was acquitted, yet the community may never know the truth. This is essential reading for true crime fans.”

American Dirt by Jeanine Cummins

cover Here’s what Publishers Weekly had to say about American Dirt: “With this devastating yet hopeful work, Cummins (The Crooked Branch) breathes life into the statistics of the thousands fleeing their homelands and seeking to cross the southern border of the United States. By mere chance, Lydia Quixano Pérez and her eight-year-old son, Luca, survive the massacre of the rest of her family at her niece’s quinceañera by sicarios of the Los Jardineros cartel in Acapulco. Compounding the horror of the violence and loss is the fact that the cartel’s leader is a man that Lydia unwittingly befriended in her bookstore. Lydia and Luca flee north to the only refuge that she can imagine: her uncle’s family in Denver. North of Mexico City, all other sources of transportation become impossible, so mother and son must risk traveling atop La Bestia, the freight trains that are the only way to reach the border without being seen. They befriend two beautiful sisters—Soledad, 15, who is ‘a living miracle of splendor,’ and Rebeca, 14—who have fled life-threatening circumstances in Honduras. As the quartet travel, they face terror on a constant basis, with danger possible from any encounter, but also compassion and occasionally even wonder. This extraordinary novel about unbreakable determination will move the reader to the core.”

Heart of Junk by Luke Geddes

cover Here’s what Publishers Weekly had to say about Heart of Junk: “Geddes’s rambunctious, oddly touching debut homes in on the denizens of a massive Kansas antique mall. The small-scale purveyors of what the less sensitive would call junk are pinning their hopes on the arrival of the production crew for the TV show Pickin’ Fortunes. Unfortunately, the hosts of the show are leery to come to a town where a little girl, beauty pageant star Lindy Bobo, has disappeared, possibly kidnapped. So mall owner Keith, on the brink of bankruptcy, enlists the rest of the troupe to find her, unaware that one of his sellers knows more than he’s saying about Lindy’s whereabouts. Geddes assembles an irresistible cast of self-deluded characters. This includes uptight Margaret, a stickler for the rules and desperate to repress her attraction to a fellow seller; hapless Ronald, too friendly for his own good; high-strung Delores, ‘dizzied by all the voices’ of the Barbies who keep her company; and Seymour, a big-city vinyl album aficionado hauled to the sticks by his partner Lee. Geddes walks an edgy tightrope with some of the material, particularly the Lindy story, but his antic comic touch saves the novel from sinking into darkness, and he offers even his most misguided characters the opportunity to bumble towards redemption. This one’s a quirky treat for fans of flyover state humor.”

The Majesties by Tiffany Tsao

cover Here’s what Publishers Weekly had to say about The Majesties: “Tsao (The Oddfits) cannily pulls back the gilded surface from a wealthy Indonesian family, revealing a rotten core. The novel opens in the aftermath of an extravagant birthday party for the Sulinado family patriarch, during which a young woman, Estella, has poisoned her entire extended family. The only survivor, Estella’s sister Gwendolyn, narrates the events leading up to the mass murder from her hospital bed, where she lies in a comatose state. These include the disastrous devolution of Estella’s brief marriage, as well as the sisters’ recent attempts to reconnect in the U.S. with a fun-loving aunt whom they had believed, until recently, to be dead. The sisters share a close bond, though each successive revelation about how their morally corrupt family intervened in these personal affairs drives a wedge further between them. The plot takes a while to hit its stride, but once it does, the narrative unfolds in a manner that’s both suspenseful and creepily claustrophobic. The novel also prompts readers to consider the cultural relativism of stereotypes, contrasting outsider perceptions of those with Chinese heritage in both Indonesia and the U.S. Tsao depicts a family whose fabulous wealth and privilege not only blind them to the needs of others but also engender cruelty and self-destruction. This is a bold and dramatic portrayal of characters on the cusp of an impossible choice between complicit self-preservation and total annihilation.”