Source : The Disillusionist
We live in a golden age of reissues. Every publishing season seems to bring fresh editions from a vital but ignored past: say, Clarice Lispector, who had one book come out last year, or Lucia Berlin, who had two. For readers, republication offers something rare: the possibility of reclaiming history simply by opening a book. The proper response to this is surely celebration. But I can’t help feeling a bit depressed that so many of the cool new writers are dead. I’ve been particularly interested in the resurgence of midcentury women novelists who share certain characteristics. These women were underappreciated in their own lifetimes. They may have gotten prizes and awards, but they never earned the fame or money of their male peers or, in many cases, their more successful husbands. They distanced themselves from the women’s movement. They were rude in ways that were probably deeply unpleasant for their contemporaries but now translate nicely into witty anecdotes and retorts. Take Elsa Morante.