New Releases Tuesday: The Best Books Out This Week

In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.

These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.

To Paradise is a fin de siecle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family and even our fellow citizens—and the pain that ensues when we cannot.

Reasons to read it: This is from the author of A Little Life, a book that left many feeling emotionally gutted. To Paradise’s exploration of “the American experiment, as well as the lives of lovers, family, loss and the elusive promise of utopia” promises to have the same beautiful prose that leaves readers feeling similarly impacted.

From debut author Stacy Willingham comes a masterfully done, lyrical thriller, certain to be the launch of an amazing career. A Flicker in the Dark is eerily compelling to the very last page.

When Chloe Davis was twelve, six teenage girls went missing in her small Louisiana town. By the end of the summer, her own father had confessed to the crimes and was put away for life, leaving Chloe and the rest of her family to grapple with the truth and try to move forward while dealing with the aftermath.

Now twenty years later, Chloe is a psychologist in Baton Rouge and getting ready for her wedding. While she finally has a fragile grasp on the happiness she’s worked so hard to achieve, she sometimes feels as out of control of her own life as the troubled teens who are her patients. So when a local teenage girl goes missing, and then another, that terrifying summer comes crashing back. Is she paranoid, seeing parallels from her past that aren’t actually there, or for the second time in her life, is Chloe about to unmask a killer?

Reasons to read it: This debut promises to be a lyrical foray into serial killer–based thrillers. It’s more psychological than action-based, and has a compelling and unpredictable protagonist. Revelations, which are made up until the end, will keep readers guessing and glued to the page.

A captivating debut fantasy inspired by the legend of the Chinese moon goddess, Chang’e , in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm and sets her on a dangerous path—where choices come with deadly consequences, and she risks losing more than her heart.

Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the powerful Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind.

Alone, untrained, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the Crown Prince, mastering archery and magic, even as passion flames between her and the emperor’s son.

To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies across the earth and skies. When treachery looms and forbidden magic threatens the kingdom, however, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos.

Daughter of the Moon Goddess begins an enchanting, romantic duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic, of loss and sacrifice—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.

Reasons to read it: This lovely court fantasy that’s steeped in Chinese mythology and culture promises luscious prose and exciting adventure. The worldbuilding and magic system are enchanting and there is a fierce female protagonist with a strong connection to her family. The author has described this as being “a crossover between Adult and older YA.”

Prepare yourself for something unlike anything: A smash-up of art and text for teens that viscerally captures what it is to be Black. In America. Right Now. Written by #1 New York Times bestselling and award-winning author Jason Reynolds.

Jason Reynolds and his best bud, Jason Griffin had a mind-meld. And they decided to tackle it, in one fell swoop, in about ten sentences, and 300 pages of art, this piece, this contemplation-manifesto-fierce-vulnerable-gorgeous-terrifying-WhatIsWrongWithHumans-hope-filled-hopeful-searing-Eye-Poppingly-Illustrated-tender-heartbreaking-how-The-HECK-did-They-Come-UP-with-This project about oxygen. And all of the symbolism attached to that word, especially NOW.

And so for anyone who didn’t really know what it means to not be able to breathe, REALLY breathe, for generations, now you know. And those who already do, you’ll be nodding yep yep, that is exactly how it is.

Reasons to read it: Does Jason Reynolds ever disappoint? Here, he and Jason Griffin join forces to encapsulate the Black experience in novel ways. They do this by centering a family that is dealing with both the pandemic and the crisis of racism plaguing America. Ain’t Burned All the Bright’s mixed-media collage and poetry shows just how devastating continually seeing violence against Black bodies can be for a kid, as well as how much is lacking in the constant reporting.

Margaret Atwood meets Buffy in these funny, warm, and furious stories of women at their breaking points, from Hellenic times to today.

Cassandra may have seen the future, but it doesn’t mean she’s resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren’t ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures–a Yelp review, a WikiHow article–which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves.

When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse to be secondary characters a moment longer. From “The Best and Only Whore of Cym Hyfryd, 1886” to the “Midwestern Girl Is Tired of Appearing in Your Short Stories,” Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

Reasons to read it: This funny collection of stories subverts expectations placed on women and promises to be reminiscent of everyone’s favorite ’90s slayer, Buffy. It’s another wonderful addition to a collection of books that take female characters from classic stories and give them a more realized voice, starting with the titular Cassandra of Greek mythology — who knew what was going to happen but was never believed. She and the other eccentric protagonists here are unapologetically themselves in this experimental and poetic debut.

Lyrical, riveting, and haunting from its opening lines, None But the Righteous is an extraordinary debut that signals the arrival of an unforgettable new voice in contemporary fiction.

In seventeenth-century Peru, St. Martin de Porres was torn from his body after death. His bones were pillaged as relics, and his spirit was said to inhabit those bones. Four centuries later, nineteen-year old Ham is set adrift from his hometown of New Orleans following Hurricane Katrina. Hidden beneath his clothes, he wears his only valued possession: a pendant handed down from his foster mother, Miss Pearl. There’s something about the pendant that has always gripped him, and the curiosity of it has grown into a kind of comfort.

When Ham finally embarks on a fraught journey back home, he seeks the answer to a question he cannot face: is Miss Pearl still alive? Ham travels from Atlanta to rural Alabama, and from one young woman to another, as he evades the devastation of what awaits him in New Orleans. Catching sight of a freedom he’s never known, he must reclaim his body and mind from the spirit who watches over him, guides him, and seizes possession of him.

Reasons to read it: This character-driven debut is both lyrical and haunting. It calls upon its characters to reconcile what it means to be free and to belong, as well as has them contend with ghostly possession. You will be taken on captivating journey as you follow the young protagonist’s trek through the south.