My major takeaway when I saw The Texas Chainsaw Massacre as a kid, with its documentary-style intercuts of cattle and the slaughterhouse, that brutal heat, the hick-grotesques: Texas was a scary place. That’s when I fell in love with horror—with any fiction, really—that elevates the world we live in from simple backdrop to an entity itself. Setting is everything, after all—it’s where we make our livings, meet the people who become our lives, weather our cars.
So I made it my goal when writing This New Dark to bring a haunting beyond the fierce, shapeshifting force at the novel’s core: the hardscrabble hills of Eastern Oklahoma. Where the economic, religious, and psychological realities of place are a force as powerful as anything supernatural.
Horror thrives on settings that do more than just house the action—they breathe, they threaten, they embody. Whether haunted houses or desolate forests or the ice fields of the Arctic, the books on this list do just that. These are stories in which the setting lurks in the shadows just as much as the monster.
Broken Monsters by Lauren Beukes
Post-industrial Detroit: When bodies begin to appear in abandoned buildings around Detroit—not just bodies, but parts of bodies, fused together with parts of animals—Detective Gabriella Versado realizes that she’s after a serial killer like none before. One dreaming of a twisted world. What Versado finds when she catches up with him, though, is something far beyond the scope of regular police work. The gritty, bleak city and its broken dreams becomes a mirror for the horror of the crimes, a world between this one and that of nightmares.
The Hollow Kind by Andy Davidson
Old-growth forest in Georgia: Nellie Gardner and her eleven-year-old son, Max, leave everything behind when she learns that her estranged grandfather has left her his estate—the Redfern farmhouse, a mill, a thousand acres of forest. A sinister presence in the house and forest forces Nellie to unravel the Redfern’s violent legacy, and she finds she must do everything in her power to protect her son. The blood-soaked and eerie forest is home to much more than the family legacy, though—something ancient and waiting.
Just Like Home by Sarah Gailey
The decaying home of a serial killer: When Vera Crowder’s mother tells her to come home, she can’t imagine what awaits her at her infamous childhood house—the home of her serial killer father and the scene of his murders. She must confront his legacy when the house itself begins to manifest it—mysterious notes, hidden rooms, whispers. With unresolved secrets buried in the very foundations, Vera must uncover a series of unsettling truths. The corruption runs so deep it just might have infected the house itself.
The Only Good Indians by Stephen Graham Jones
Blackfeet Indian Reservation, Montana: Four men—Ricky, Lewis, Cass, and Gabe—have all gone different directions since their childhood on the reservation. Some left, some stayed. Some grew up, some didn’t. One cold November will see them all confront their pasts, though, as they’re each stalked by something malevolent, a vengeful force that embodies the cultural and ancestral spirits tied to the land they once violated. What comes when the force catches up to them is a violent reckoning that echoes their past sins and present fears.
The Ballad of Black Tom by Victor LaValle
Harlem in the Jazz Age: Hustler and street musician Tommy Tester’s life is upended when he meets a rich and enigmatic man who draws him into darkness and the occult. What he finds when he gets there: ancient rituals, eldritch horrors, and a cosmic showdown that could alter the fabric of reality. New York itself is full of no less horror, though; Tommy must confront poverty, police brutality, and racial injustice as he transforms over the course of the novel. LaValle weaves a gritty tale that at once deconstructs Lovecraft’s racist work and honors his legacy of cosmic horror.
Mexican Gothic by Silvia Moreno-Garcia
A shadowy estate in the mountains of Mexico: When socialite Noemí Taboada travels to High Place—an eerie mansion with a violent colonial history—to rescue her cousin after a cry for help, she finds her cousin’s new family has secrets and bad memories which seem to live in the walls of the house itself. It breathes with them. Tracing the mysteries, Noemí discovers a family secret so deep and steeped in death that her reality begins to unwind. This isn’t just another Gothic mansion.
The Terror by Dan Simmons
The Arctic ice fields: Captain Crozier’s 1845 expedition comes to a halt when his ships become stuck in the Arctic ice. The men endure this frozen isolation for a year, the blinding-white landscape around them a sublime nightmare. Clawing at the edges of the ice is an entirely different threat, too. Something that wants to hunt. Helpless against this ancient hunger and the ferocity of nature, Crozier and his men begin to realize that there are places in this world through which people were not meant to pass.
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