Things (Some) Readers Find Annoying About Books and the Book World

An over-reliance on comp titles and tropes

I think comp titles and tropes are over-used to market books. I understand why some people find them useful, but they don’t work for me. I don’t necessarily like any book with elements similar to others I enjoyed. I like variety. I need more details about this particular book before I choose it, not “for fans of XYZ.” Besides, tropes and similarities are subjective. Critics and other readers will disagree on whether a book fits certain trends or tropes. Using tropes instead of a more objective, specific description baffles me. It creates an impression, which may be unwarranted, that lots of books are formulaic.

Grace Lapointe

The backs of the books – prime real estate! – being wasted

Do NOT like how the back of the book is now the spot for book reviews (usually by people I don’t care about and/or for previous books the author has written, not the one in my hands) and the synopsis gets relegated to the inside flaps. I don’t want to bend the cover on a brand-new book all the way back, so now I have to stand around the bookstore trying to open the book just enough to be able to read the synopsis without ruining that new-book feel for myself or others. Bleh.

Eileen Gonzalez

Blurbs

Authors hate asking for them, and the authors who are asked often struggle with the pressure of being asked by many more writers than they have time to engage with. They remember what it was like when they were starting out, and they want to help – but they’ve got their own books to write, and sometimes families and other jobs, too. So they say no, and they often feel bad about it. Everybody ends up feeling bad. And do blurbs on covers really sell books, anyway? Does luminous prose or unputdownable really convince you to read that book — especially if you know that the authors are friends and therefore predisposed to like each other’s work anyway?

Ill-advised covers

Quite apart from the design itself, there are a lot of things about covers that can really get on readers’ nerves. Does anyone like the faux stickers that are inbuilt into covers, ruining their aesthetic? I get it — publishers want to shout from the rooftops that this book has been picked by Oprah or optioned by Netflix. I’d want everyone to know that about my book, too. But for goodness’ sake, make them removeable.

But that’s not the only cover misstep out there. A style that changes mid-series so they no longer look good as a group is irritating. A movie tie-in, where the characters don’t look like the ones you pictured in your head, can be frustrating. And step-back covers? The worst. They get damaged so easily — including by booksellers and browsers in shops as they pick them up and reshelve them.

Americanised British books

You can have your Zs; you can strike out those harmless Us if you want. But a British character doesn’t talk about sidewalks, and their humour will be completely different than an American character’s humour. When those things are wrong — often because an editor decided their non-British readers wouldn’t be able to use context clues to figure out the meaning of a word or sentence, so they changed it — I want to throw the book across a room.

The competitiveness

I remember fondly the days when I just read, without knowing my number of books. When I didn’t have to wonder whether a book I started in 2022 but finished in 2023 “counted.” The deeper I get into the book world, the harder it is to avoid the temptation to measure yourself against others when it comes to how many books we all read, or even which genres. Read what you want! I will preach all day long. A reader is a reader no matter how many books you get through! I’m a slow reader, and lately I’ve been in some slumps; I need to have grace myself. But when it comes to the end of the year, I find it hard not to feel a little lacking when everyone is sharing their Goodreads goal.